A word about Paula

This year, I’m in love with Paula Abdul. Maybe it’s just compared to Kara, who has quickly become the worst thing ever added to ‘American Idol’ (worse than Puerto Rico auditions, parent interviews and Kevin Covais combined), but Paula has been strangely coherent this season on ‘American Idol’, offering actual constructive feedback more often than rambling poetry. Bonus points for the best – if slightly awkward in its over-preparedness – comeback I expect to ever see to a particularly sassy/interruptive Simon Cowell: Pulling out a coloring book and crayons and telling him to color so she could pay attention.

But the real reason I love her is that I feel like she’s actually interested and invested in these contestants – she doesn’t relish breaking them down, and she’s consistently the only one to make an effort to go on stage and wish the departing contestant well.

Now, one more word about Kara. All she cares about is easily definable artists - that ubiquitous “package artist” label. According to her – and increasingly Randy, who, as Jessica points out, is quickly wearing out his welcome – Lil should only sing Mary J. Blige, Megan should have only sung songs by raspy voiced Brits, Matt Giraud should stick with R&B and avoid rock, while Anoop should not try R&B because that’s not “who he is.” This is why she isn't big on Adam Lambert. Since he’s from theater, he can take on the character of any song and nail it, so Kara can’t figure out what box to put him in, and that makes her uncomfortable. Notice how she always tiptoes around her critique of him – she calls him "weird" and "interesting" and "unique," but she always stops short of the praise the other judges (rightfully) bestow on his Could-Sing-the-Phone-Book talent. I'm not sure I can handle two more months of her.